2025 Spring Equinox Tour At El Bawaba With VIP Visit To The Great Pyramid 18-26 March 2025

Accommodation:  Novotel El Borg Cairo

19:00 Celebration Group Dinner

20:00 Devotional Ceremony to Ancient Egypt

VIP Visit The Great Pyramids (Khufu). The Giza pyramid complex, also called the Giza Necropolis, is the site on the Giza Plateau in Greater Cairo, Egypt that includes the Great Pyramid of Giza, the Pyramid of Khafre, and the Pyramid of Menkaure. A Stargate is an Einstein–Rosen dimensional portal device within the Stargate universe that allows practical, rapid travel between two distant locations. At Giza we reference Sirius and Earth not only in the ancient star maps but in the architecture and creation stories written as mythologies or evolution science of soul. 

The Great Pyramids enshrine ark libraries that regenerate our human consciousness to perceive and calibrate with complex sacred ecosystem of greater benign intelligence beyond current systems of intelligence and psychological programming. The earliest ancient Egyptians built to preserve and conserve pre-history in balance with that sacred ecosystem. The pyramids field is a prehistory legacy and construction enigma. An advanced and complex technology, architecture, and ark capable of protecting human survival beyond the reset of Atlantis or Mut. Its geographical placement and engineering genius stabilizes cataclysmic shifts progressed during precession equinox alignments. 

In Egypt the pyramids in myth, science and spirituality- are designed to ignite and protect the journey of the soul for an eternity. Do you believe this? Here we venture into knowledge that underscores questions and dreams on human origins, nature of soul and what existence is, was and will be. What is here are no obvious written records. Philosophical quests of soul. The land of the dead, is the domain of Osiris. That gateway is eternity, known as Rosteau, that gateway is protected by Hathor, The House of Horus. For she, as the goddess metamorphic as both mother and daughter of Ra. God and goddess is a circle of fire that seals protection of the souls of lineage of Horus The Elder. The lineage is known as the pillar people. The race of pre-history. The ones of the first kings of Egypt. The pillar people are of Osirion ritual and resurrection cults whose initiation keys are magnificent goddess- the thrones made and fit for kings. The goddess is both throne and stargate.

During pilgrimage we may have already dreamed our footsteps. This brings awakening, magic, and unforgettable transformation. Spiritual Pilgrimages travel us through time confirming our existence is so much more than existence and conventional spirituality has led us to believe. Our pIlgrimage calls participants to honour existing spiritual journeys, thresholds of cultures, beliefs and intelligence, We are masters of creation only if we meet creation. There is no where in the world like Ancient Egypt as the cradle for modern civilisation, spirituality, healing, human potential, and psychology. Here the archives travel deep in time. Here the architecture mirrors each step we take. Time and prophecy is written here for us if we are prepared to listen to another story. The healing of ego takes time. Pilgrimage slows and recalibrates wound and ego, and assumptions. And if we are pure within our journey we are shown new worlds, worlds possible beyond conventional.

Queen Nefertari Merit Mut is the iconic High Priestess of Sacred Love, Sacred Magic and Intelligence. She endured and overcame the suffering, her humble origins, the celebrity, the battles, the triumphs, the shame, the rejection. Her story is a fairytale, a myth, a legend. We all live as myth and legend when we fall in love with the journey of love. 

When we speak of the Great Queens of Egypt. We are reminded of deified women. Woman initiated as Goddesses. May we remember exceptional sacred and sovereign paths, Nefetari as Hathor. The primordial Goddess, Beginning of Time, Eternity and the elusive mysteries of cycles of incarnation and reincarnation. 

Living in the 19th Dynasty (c. 1295-1255 B.C.), her full name was Nefertari Merytmut, meaning “"Beautiful Companion, Beloved of Mut"”. She was the beloved Great Royal Wife (GRW) of Ramesses II, one of most prolific Egyptian queens, equal to Cleopatra, Nefertiti and Hatshepsut. Her tomb, QV66, is the largest, exquisitely decorated and spectacular in the Valley of the Queens. Ramesses II constructed for her a temple at Abu Simbel, next to his own colossal monument. He made the size of her statues, on its facade, to the same scale as his own.

Karnak Temples Complex. The massive temple complex of Karnak was the principal religious center of the god Amun-Re in Thebes during the New Kingdom (which lasted from 1550 until 1070 B.C.E.). The complex remains one of the largest religious complexes in the world.

Temple of Ptah, North Gate. Ptah is a very ancient Egyptian god evidenced from at least the Old Kingdom where his cult was located in the Memphis region. At Karnak in Luxor (ancient Thebes), his temple consists of three interconnecting sanctuaries that are, together with Ptah, consecrated to his Memphite triad, which also included Sekhmet and Nefertum. The sanctuaries are preceded by a small portico of two columns and a pylon in the name of Tuthmosis III, who built the core of the temple. It is oriented west-east, like the Temple of Amun.

The Cult of Sekhmet is inseparable from The Eye of Re creation forces, represented by the solar disc and the Daughter of Re. This births sovereign and sacred aspects and their strong duality. There are other major Goddesses present within Sekhmet. Hathor and Mut, who are Solar Eye Goddesses without feline characteristics despite having one of the Feline Goddesses as an alter ego. These too are essential, magical aspects of Sekhmet. Some of Sekhmet’s  1000 names are Sekhmet, Great One of Magic, Mother of the Netjeru (Gods), One Who Was Before the Netjeru Were, Lady of The Place of the Beginning of Time, Beloved of Ra, Her Father, Beloved of Bast Her Sister, Beloved of Ptah, Her Husband-Brother At Whose Wish the Arts Were Born, Beautiful Eye Which Giveth Life to the Two Lands, Beautiful Face, Image Most Beloved by Art, Flaming One, Sovereign of Ra, Her Father, Protectress of the Netjeru, Lady of the Scarlet-Colored Garment, Pure One, Destroyer of Rebellions, Eye of Ra, Eye of Heru (Horus).

The Cult of Osiris, The Chapel of Osiris Hek-Djet , East Gate. On the southern wall of this chamber left of the entry into the next room is depicted the seven Osirian doorways, all boxed within one another. To the right of these false doors are several scenes. Here, in the uppermost scene, Shepenwepet is being breast-fed by a Hathor-like deity with a curious hairstyle, and then embraced by Amun. To the left of this is a representation of the symbol of the nome of Abydos where the temple of Osiris is located.

Valley of Kings-The Valley of the Kings (Arabic: وادي الملوك‎ Wādī al-Mulūk; Coptic: ϫⲏⲙⲉ, romanized: džēme),[1] also known as the Valley of the Gates of the Kings (Arabic: وادي أبواب الملوك‎ Wādī Abwāb al-Mulūk) is a valley in Egypt where, for a period of nearly 500 years from the 16th to 11th century BC, rock-cut tombs were excavated for the pharaohs and powerful nobles of the New Kingdom (the Eighteenth to the Twentieth Dynasties of Ancient Egypt

Tomb of Tutankhamun, The Book of The Dead, The Duat. The tomb of the Eighteenth Dynasty king Tutankhamun (c.1336–1327 BC) is world-famous because it is the only royal tomb from the Valley of the Kings that was discovered relatively intact . 

On the celestial observatory and portal, the ancient ones mapped the skies and heavens across cycles of time and themes of destiny playing forever until the peace. The voices of truth soared higher  and higher over wars conjured by those who could not stand in sovereign truth. The journey of these times is deepest within. Where is the betrayal that is the betrayal of humanity. Where is the wound of darkness blind to war. Where is apathy driving evolution backwards. Where is the intelligence that excuses and confuses. Where are the stories that only talk. Where are the actions hat do mot serve. Where is the fake love that does not travel. Where is the pain that breaks worlds. We are all one breaking the invocation of illusions. Not for a moment believe you can do little. As each sacred ethic and value is remembered and resurrected.  We soar in re-union and protection of beauty, innocent and weak. We stand unshakeable. We destroy the implants of war, hate and greed. 

Ash

The Temple of Seti I is situated in Abydos, one of the most important archaeological sites of Ancient Egypt. Abydos is located in Upper Egypt, about 10 km from the Nile River. It was a necropolis for Egypt’s earliest kings and later became a pilgrimage center for the worship of the god Osiris. It is also where the cults of the deified kings of ancient Egypt were celebrated. The Temple of Seti I has an unusual L-shaped ground plan and was built primarily of limestone, with the occasional use of sandstone in different areas throughout the structure. The temple was completed after Seti I’s death, by his son, Ramesses II, whose cartouches are found in certain parts of the temple, along with his characteristic sunk relief style, that is different from the very fine raised relief of his father. 

The oldest known examples of the Flower of Life is Abydos, Egypt. Most archaeologists maintain that they are at least 6,000 years old. The Flower of Life in Abydos in The Osirion appears that it was not carved into the granite but instead may have been lasered into the granite with precision. It represents the Eye of Ra, a symbol of the gateway to eternity and the journey back to our original sacred destiny blue print and original mission of soul on earth.

Dorothy Louise Eady (16 January 1904 – 21 April 1981), also known as Omm Sety or Om Seti (Arabic: أم سيتي), was a British antiques caretaker and folklorist. She was keeper of the Abydos Temple of Seti I and draughtswoman for the Department of Egyptian Antiquities. She is known for her belief that in a previous life she had been a priestess in ancient Egypt, as well as her considerable historical research at Abydos. Her life and work has been the subject of many articles, television documentaries, and biographies.

'She opened the star gates and the gods looked down from the sky. They could see how humanity had not chosen the creation story. Humanity did not see the gods looking down from the sky. The gods chose to bestow upon humanity many trials. The plan that the gods had for humanity had been aborted by those who had been given the power to create the garden of Eden. They dug up the trees of knowledge.They dug up the trees of life so that humanity could not remember their rights and their origins.'

Ash

Creation Story Fieldwork at Medinet Habu. The ancient Egyptian name for the region is iꝫt ṯꝫmt or Iat Tjamet (which morphed later into Iat Djamet). This means Mound of Tjamet (or Djamet). 

Amun is the Hidden One, or the One Who Conceals Himself. He’s often represented in an ithyphallic form (a male figure with an erect phallus). This iconography begins in the Middle Kingdom – there are examples on the White Chapel of Senwosret I at Karnak. In order to understand the myth of Amun we must first explore the Hermopolitan creation myth. The Egyptian name for the town of Hermopolis is Khemnu which means “Eight Town”. The eight in this context are the Ogdoad who are a group of eight creator deities – Nun & Naunet, Heh & Hauhet, Kuk & Kauket, Amun & Amaunet. Each pair is a male and female pair. Each pair of deities has a different association – Nun & Naunet are water, Heh & Hauhet are infinity, Kuk & Kauket are darkness and Amun & Amaunet are hiddenness.

Amun is contains extreme divine, alchemical, and reincarnation power. By the 12th Dynasty Amun’s name incorporates Re as Amun-Re (for instance in the White Chapel of Senwosret II), and as far back as the reign of Intef II (who ruled as part of Dynasty 11 before Montuhotep II reunited the country) there are signs of a linkage between Re and Amun. The ithyphallic form is also linked to Min (a fertility deity). But Gahlin said that more importantly this iconography is linked to a form of Amun-Re called Ka-mut-ef, which means “bull of his mother” or “he who fashioned himself”. This form has black skin due to the associations between black (as in the colour of the soil of the Nile Valley) and fertility. The thinking behind this name & form of the god is that Amun is so virile that he impregnated his own mother. As well as fertility this links the deity strongly to kingship. Each king is the son of the previous king, and each king is seen as incarnation of eternal kingship. This means that the king becomes the bull of his mother – impregnating his wife so that she gives birth to the next incarnation of himself.

During the 18th Dynasty the Theban priesthood create a mythology that raises Amun to the pinnacle of the gods. Amun is referred to as Amun the Great Honker. This form of Amun is a goose and his honking acts as the catalyst for creation. The sound waves produce the energy to create the primordial mound and thus the whole universe. Amun the goose might be male, but he is also sometimes said to lay the egg from which the universe hatches – sometimes he also impregnates this egg as a ram-headed sphinx. In this particular version of the myth the Mound of Tjamet (or Djamet) is the actual real place where the world came into being – it’s also the place where the Ogdoad (including Amun) are buried after they have created the world.

During Hatshepsut’s reign there is a movement centred on Amun. The Amun Temple begins in her reign, and we see Amun as this red-skinned ithyphallic progenitor deity in the decoration that was completed in her reign. The Deir el Bahri Divine Birth scene is a part of this theme as well, with Amun becoming overtly involved in creating the new king (Hatshepsut). 

Interesting features- The Gods Wives & Queen Hatshepsut's metamorphosis to King. Queen Hatshepsut adopts and initiates Moses at the Temple of Amun. From the reign of Tutankhamun onward Amun has blue skin, and before this he had red skin. He’s a celestial deity as well as a deity of kingship – his titles include the title of “lord of the Two Lands” just like the king. His feather headdress is full of symbolims – Gahlin said that the two feathers represent duality, and the seven segments of the feathers are another symbol of totality as they are thought of as three plus four. In his representations at the Small Temple he’s shown as both this anthropomorphic deity with a two-feather headdress and as an ithyphallic deity – and the earliest depictions have red skin because this is before the reign of Tutankhamun.

The Dendera Temple complex (Ancient Egyptian: Iunet or Tantere; the 19th-century English spelling in most sources, including Belzoni, was Tentyra; also spelled Denderah[1]) is located about 2.5 kilometres (1.6 miles) south-east of Dendera, Egypt. It is one of the best-preserved temple complexes of ancient Egypt. The area was used as the sixth nome of Upper Egypt, south of Abydos.

The Dendereh Zodiac came to be seen as one of the most important surviving documents of antiquity, and it is not surprising that eventually someone decided to try to cash in on its value. In 1822 an antiquities thief name Claude Lelorrain used explosives to remove the Zodiac from its matrix in Dendereh, and he brought it back to France, where it was purchased by the King, for the considerable price of 150,000 francs, and put on public display. It was eventually deposited in the Louvre, where it may be seen today.

Bon Voyage!